Shane Smith & The Saints

Released in 2019, Hail Mary introduced the band’s current lineup, as well as a heavier sound that separated the Saints from other Texas acts. It wasn’t rock & roll. It wasn’t country, either. It was everything that connected those genres, glued together by the camaraderie of a road-tested band that built its audience the old-school way: by hitting the stage and winning over the crowd, song after song, night after night.

 

Norther builds upon that singular sound while also highlighting the bandmates’ road-warrior chops. “We’d be on the road doing shows, and there would be a 48-hour gap where we’d fly into Dallas and try to record everything we possibly could, then fly right back to wherever the bus was,” says Smith, who tapped producer Beau Bedford to helm the album. “It was like that for the entirety of the recording process.” The result is an album that’s filled with all the electricity and eclecticism of the Saints’ live show. For the band’s country-loving fans, there’s “1000 Wild Horses,” which barrels forward at a rootsy gallop. For rock fans, there’s “Fire in the Sky,” which makes room for fiery fretwork and a massive chorus. For those looking to slow dance, there’s “All the Way,” a threadbare piano ballad captured live in the studio, imperfections and all. “Norther has little bit of everything,” Smith says proudly. “It’s not a one-sided album. It’s got every single element of what makes up our sound right now.”

 

For an independent band like Shane Smith and the Saints, the work is never done. “It’s like you can’t help but feel like you’ve paid your dues to get to a certain spot, but once you get there, you realize you’re just starting to touch the surface of the bigger picture,” Smith admits. “At the end of the day, it still feels like we’re getting discovered. But maybe that’s what it’s all about.” Norther is the soundtrack to that discovery. It’s the sound of a band pushing its limits, broadening its reach, and expanding its audience.